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The Resource How to listen to and understand great music, Robert Greenberg

How to listen to and understand great music, Robert Greenberg

Label
How to listen to and understand great music
Title
How to listen to and understand great music
Statement of responsibility
Robert Greenberg
Creator
Contributor
Author
Subject
Genre
Language
eng
Summary
Provides understanding of musical forms, techniques, and terms and of the reciprocal relationship of social context and musical creation, using digitally recorded music to illustrate points and examining the contributions of nearly every major western composer
Member of
Cataloging source
O2C
Dewey number
[E]
Index
no index present
Nature of contents
  • encyclopedias
  • indexes
  • directories
PerformerNote
Taught by Robert Greenberg, music historian-in-residence, San Francisco Performances
Series statement
Great courses. Fine arts & music
Label
How to listen to and understand great music, Robert Greenberg
Instantiates
Publication
Note
  • Issued in 6 parts
  • Accompanying guidebooks include lecture outlines, time lines, biographical notes, glossaries, and bibliographical references
  • "Course no. 700."
Accompanying material
1 course guidebook.
Capture and storage technique
unknown
Carrier category
audio disc
Carrier category code
sd
Carrier MARC source
rdacarrier
Configuration of playback channels
unknown
Content category
spoken word
Content type code
spw
Content type MARC source
rdacontent
Contents
  • lecture 5.
  • Renaissance mass ;
  • lecture 6.
  • Madrigal ;
  • lecture 7.
  • Introduction to the Baroque era ;
  • lecture 8.
  • Style features of Baroque-era music
  • Part 1. lecture 1.
  • Music as a mirror ;
  • lecture 2.
  • Sources -- the ancient world and the early church ;
  • lecture 3.
  • Middle Ages ;
  • lecture 4.
  • Introduction to the Renaissance ;
  • Baroque opera, part 2 ;
  • lecture 13.
  • Oratorio ;
  • lecture 14.
  • Lutheran Church cantata ;
  • lecture 15.
  • Passacaglia ;
  • lecture 16.
  • Ritornello form and the Baroque concerto
  • Pt. 2.
  • lecture 9.
  • National styles -- Italy and Germany ;
  • lecture 10.
  • Fugue ;
  • lecture 11.
  • Baroque opera, part 1 ;
  • lecture 12,
  • Classical-era form -- minuet and trio : Baroque antecedents ;
  • lecture 21.
  • Classical-era form -- minuet and trio form ;
  • lecture 22.
  • Classical-era form -- rondo form ;
  • lecture 23.
  • Sonata form, part 1 ;
  • lecture 24.
  • Sonata form, part 2
  • Pt. 3.
  • lecture 17.
  • Enlightenment and an introduction to the classical era ;
  • lecture 18.
  • Viennese classical style -- homophony and cadence ;
  • lecture 19.
  • Classical-era form -- theme and variations ;
  • lecture 20.
  • Classical-era opera -- the rise of opera buffa ;
  • lecture 29.
  • Classical-era opera, part 2 -- Mozart and the operatic ensemble ; 30.
  • French Revolution and an introduction to Beethoven ;
  • lecture 31.
  • Beethoven's Symphony numbers 5 in C minor, opus 67, part 1 ;
  • lecture 32.
  • Beethoven's symphony numbers 5 in C minor, opus 67, part 2
  • Pt. 4.
  • lecture 25.
  • Classical-era form -- Sonata form, part 3 ;
  • lecture 26.
  • Symphony -- music for every person ;
  • lecture 27.
  • Solo concerto ;
  • lecture 28.
  • Program symphony -- Berlioz's Symphonie fantastique, part 2 ;
  • lecture 37.
  • 19th-century Italian opera -- bel canto opera ;
  • lecture 38.
  • 19th-century Italian opera -- Giuseppe Verdi ;
  • lecture 39.
  • 19th-century opera -- nationalism and experimentation ;
  • lecture 40.
  • 19th-century German opera -- Richard Wagner
  • Pt. 5.
  • lecture 33.
  • Introduction to romanticism ;
  • lecture 34.
  • Formal challenges and solutions in early romantic music ;
  • lecture 35.
  • Program symphony -- Berlioz's Symphonie fantastique, part 1 ;
  • lecture 36.
  • Russian nationalism ;
  • lecture 45.
  • Introduction to early 20th-century modernism ;
  • lecture 46.
  • Early 20th-century modernism -- Claude Debussy ;
  • lecture 47.
  • Early 20th-century modernism -- Igor Stravinsky ;
  • lecture 48.
  • Early 20th-century modernism -- Arnold Schönberg
  • Pt. 6.
  • lecture 41.
  • Concert overture, part 1 ;
  • lecture 42.
  • Concert overture, part 2 ;
  • lecture 43.
  • Romantic-era musical nationalism ;
  • lecture 44.
Dimensions
12 cm +
Dimensions
4 3/4 in. or 12 cm. diameter
Edition
Third edition.
Extent
6 volumes (48 compact discs)
Groove width / pitch
  • unknown
  • not applicable
Isbn
9781598032697
Kind of cutting
unknown
Kind of disc cylinder or tape
  • unknown
  • mass produced
Kind of material
  • unknown
  • plastic with metal
Media category
audio
Media MARC source
rdamedia
Media type code
s
Other physical details
digital
Publisher number
  • IC700A-01
  • IC700A-02
  • IC700A-03
  • IC700A-04
  • IC700A-05
  • IC700A-06
  • PB700A
Special playback characteristics
  • unknown
  • digital recording
Specific material designation
sound disc
Speed
  • unknown
  • 1.4m. per second (discs)
System control number
on1038238096
System details
Compact discs
Tape configuration
  • unknown
  • not applicable
Tape width
not applicable
Label
How to listen to and understand great music, Robert Greenberg
Publication
Note
  • Issued in 6 parts
  • Accompanying guidebooks include lecture outlines, time lines, biographical notes, glossaries, and bibliographical references
  • "Course no. 700."
Accompanying material
1 course guidebook.
Capture and storage technique
unknown
Carrier category
audio disc
Carrier category code
sd
Carrier MARC source
rdacarrier
Configuration of playback channels
unknown
Content category
spoken word
Content type code
spw
Content type MARC source
rdacontent
Contents
  • lecture 5.
  • Renaissance mass ;
  • lecture 6.
  • Madrigal ;
  • lecture 7.
  • Introduction to the Baroque era ;
  • lecture 8.
  • Style features of Baroque-era music
  • Part 1. lecture 1.
  • Music as a mirror ;
  • lecture 2.
  • Sources -- the ancient world and the early church ;
  • lecture 3.
  • Middle Ages ;
  • lecture 4.
  • Introduction to the Renaissance ;
  • Baroque opera, part 2 ;
  • lecture 13.
  • Oratorio ;
  • lecture 14.
  • Lutheran Church cantata ;
  • lecture 15.
  • Passacaglia ;
  • lecture 16.
  • Ritornello form and the Baroque concerto
  • Pt. 2.
  • lecture 9.
  • National styles -- Italy and Germany ;
  • lecture 10.
  • Fugue ;
  • lecture 11.
  • Baroque opera, part 1 ;
  • lecture 12,
  • Classical-era form -- minuet and trio : Baroque antecedents ;
  • lecture 21.
  • Classical-era form -- minuet and trio form ;
  • lecture 22.
  • Classical-era form -- rondo form ;
  • lecture 23.
  • Sonata form, part 1 ;
  • lecture 24.
  • Sonata form, part 2
  • Pt. 3.
  • lecture 17.
  • Enlightenment and an introduction to the classical era ;
  • lecture 18.
  • Viennese classical style -- homophony and cadence ;
  • lecture 19.
  • Classical-era form -- theme and variations ;
  • lecture 20.
  • Classical-era opera -- the rise of opera buffa ;
  • lecture 29.
  • Classical-era opera, part 2 -- Mozart and the operatic ensemble ; 30.
  • French Revolution and an introduction to Beethoven ;
  • lecture 31.
  • Beethoven's Symphony numbers 5 in C minor, opus 67, part 1 ;
  • lecture 32.
  • Beethoven's symphony numbers 5 in C minor, opus 67, part 2
  • Pt. 4.
  • lecture 25.
  • Classical-era form -- Sonata form, part 3 ;
  • lecture 26.
  • Symphony -- music for every person ;
  • lecture 27.
  • Solo concerto ;
  • lecture 28.
  • Program symphony -- Berlioz's Symphonie fantastique, part 2 ;
  • lecture 37.
  • 19th-century Italian opera -- bel canto opera ;
  • lecture 38.
  • 19th-century Italian opera -- Giuseppe Verdi ;
  • lecture 39.
  • 19th-century opera -- nationalism and experimentation ;
  • lecture 40.
  • 19th-century German opera -- Richard Wagner
  • Pt. 5.
  • lecture 33.
  • Introduction to romanticism ;
  • lecture 34.
  • Formal challenges and solutions in early romantic music ;
  • lecture 35.
  • Program symphony -- Berlioz's Symphonie fantastique, part 1 ;
  • lecture 36.
  • Russian nationalism ;
  • lecture 45.
  • Introduction to early 20th-century modernism ;
  • lecture 46.
  • Early 20th-century modernism -- Claude Debussy ;
  • lecture 47.
  • Early 20th-century modernism -- Igor Stravinsky ;
  • lecture 48.
  • Early 20th-century modernism -- Arnold Schönberg
  • Pt. 6.
  • lecture 41.
  • Concert overture, part 1 ;
  • lecture 42.
  • Concert overture, part 2 ;
  • lecture 43.
  • Romantic-era musical nationalism ;
  • lecture 44.
Dimensions
12 cm +
Dimensions
4 3/4 in. or 12 cm. diameter
Edition
Third edition.
Extent
6 volumes (48 compact discs)
Groove width / pitch
  • unknown
  • not applicable
Isbn
9781598032697
Kind of cutting
unknown
Kind of disc cylinder or tape
  • unknown
  • mass produced
Kind of material
  • unknown
  • plastic with metal
Media category
audio
Media MARC source
rdamedia
Media type code
s
Other physical details
digital
Publisher number
  • IC700A-01
  • IC700A-02
  • IC700A-03
  • IC700A-04
  • IC700A-05
  • IC700A-06
  • PB700A
Special playback characteristics
  • unknown
  • digital recording
Specific material designation
sound disc
Speed
  • unknown
  • 1.4m. per second (discs)
System control number
on1038238096
System details
Compact discs
Tape configuration
  • unknown
  • not applicable
Tape width
not applicable

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      168 Alleghany Ave, Wabasha, MN, 55981, US
      44.3833852 -92.0333186

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